The Long Table
A food brand story built around the generous mess of a shared table—crackers passed around, jars opened and the last good piece quietly negotiated. Natural overhead photography keeps every ingredient honest, while the campaign turns a simple pantry range into something warm, sociable and easy to share.
matériel
Sony BURANO • Cooke SP3 primes • Sony 90mm Macro G OSS • Laowa 24mm Probe lens • Matthews overhead rig • Dana Dolly • Aputure LS 600c Pro and 300x • Astera HydraPanel • Calibrite ColorChecker Video
prestations
Brand Film, Documentary Direction, Interview Production, Field Cinematography, Social Cutdowns
POST-PRODUCTION
Premiere Pro, DaVinci Resolve, After Effects, Frame.io
DÉLAI
7 weeks
LE BRIEF,
LA CONCEPTION,
LE RÉSULTAT.
The pantry range photographed beautifully, but perfect still-life images made it feel untouchable. The brand was really about what happened after a jar opened: people leaning in, passing plates, improvising combinations and negotiating the last good bite.
We treated the table as a small social stage. The food remained recognisable and appetising, but the reason to care came from hands, interruptions and the generous disorder of sharing.
The shoot began with a carefully designed overhead composition and then let real guests disturb it. Multiple cameras covered passing gestures and reactions while a roaming macro unit followed crumbs, drips, torn bread and product labels as they naturally appeared.
Rather than direct conversation, we prompted simple actions and allowed the sound of the room to lead. The edit grew from clinks, paper folds, laughter and small pauses, giving the film a lived-in rhythm no food stylist could manufacture alone.
The campaign delivered a warm hero story, overhead recipe loops, product pairings and short social moments with their own beginning and payoff. The range stayed premium, yet finally looked like something people could open tonight—not save indefinitely for a perfectly arranged occasion.
Plus d' histoires. plus d' images.
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